Markos Kay is a multidisciplinary artist and director with a focus in art & science and generative art. He is best known for the artificial-life video art experiment aDiatomea (2008), first exhibited at Ernst Haeckel's Phyletic Museum, the generative short film The Flow (2011), shown worldwide, and the series of particle simulation paintings Quantum Fluctuations (2016), now part of the Fidelity Art Collection. His art and design practice ranges from screen-based media to print and has been featured in museums, exhibitions, festivals, and publications such as the ArtScience Museum, Museum of Contemporary Digital Art, Bill and Melinda Gates Foundation, Ars Electronica, National Geographic, Wired and VICE. His work can be described as an ongoing exploration of digital abstraction through experimentation with generative methods. His experiments often explore the complexity of the invisible and mysterious worlds of molecular biology and particle physics. A major theme in his work is the computational paradigm of the natural sciences as seen in the relationship between scientific observation, simulation and visualisation.

MAXXI National Museum, Rome 2022
Voltaje, Colombia 2022
VISIONS Galeria.kollektiva, Germany 2022
Museum of Contemporary Digital Art 2021
Prix Ars Electronica, Austria 2019
Materialize, State Studio, Berlin, 2019
ArtScience Museum, Signapore, 2019
Visual Voice Art Gallery, Montreal 2019
Digital Intersections, Italy 2018
STARTS Exhibition, Austria 2018
Digital Decade, London, 2017
Louisiana Art & Science Museum, USA 2017
Spectrum Exhibition, Abu Dhabi 2017
Bio-Art, Bordeaux, France 2016